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MACSEM 2015 Conference Program (Preliminary, Released 3/5/15)


MACSEM 2015 Preliminary Program - Direct Download (PDF)Mid-Atlantic Chapter of the Society for Ethnomusicology 34th Annual Conference

New York University March 28-29

All MACSEM 2015 events take place in

ROOM 320, 3rd Floor
Silver Center, 31 Washington Place, NYC

SCHEDULE OF EVENTS  read more »

Workshop with Prof. Georgina Born: "Retheorizing the Social; Rethinking the Genre" (4/1, 4-7pm)

Event Start: 
Wednesday, April 1, 2015 - 4:00pm
Location: 
701C Dodge Hall (The Center for Ethnomusicology)
The Center for Ethnomusicology Presents a Workshop with:


Prof. Georgina Born (University of Oxford)

"Retheorizing the Social; Rethinking the Genre"

Wednesday, April 1, 2015
4-7pm
701C Dodge Hall (Center for Ethnomusicology)

Free and open to the public.







click for full-sized poster!















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Ancient Soundscapes Reborn: Japanese Gagaku and Hogaku Concert (Miller Theater, 3/29, 4pm)

Event Start: 
Sunday, March 29, 2015 - 4:00pm
Location: 
Miller Theater (116th St. and Broadway)

Come Celebrate the 10th Anniversary of
Glories of the Japanese Music Heritage

ANCIENT SOUNDSCAPES REBORN

Sacred Court Music (Gagaku)
and
Secular Art Music (Hogaku)

Sunday, March 29, 2015 at 4:00PM
Miller Theatre, Columbia University
(116th Street & Broadway)

The concert is free and open to the public,
but please register online from our web site,
www.medievaljapanesestudies.org

Full Program (pdf)


Part I: Treasuring the Past and Enriching the Present

Hyojo no netori
(Prelude Mode)
Etenraku
(Music of the Divine Heavens)

Kashin
(Glorious Days)

Rokunshi
(Celebrating a Rebirth Milestone)

Ichikotsucho no netori
(Prelude Mode)
Karyobin no kyu
(Birds from Paradise - Finale)


Part II: Transforming the Future for Japanese Heritage Instruments

John Kaizan Neptune
Five and Thirteen are Prime Numbers for koto and shakuhachi (1983)

John Cage
Ryoanji for hichiriki and percussion (1983)

Takeshi Sasamoto
Yaha for Shosoin shakuhachi (2014)

Toshi Ichiyanagi
Transfiguration of the Moon for sho and violin (1988)


Featuring renowned Japanese Gagaku musicians and New York-based early Japanese instrumentalists, with the Columbia Gagaku Instrumental Ensemble

Performing Artists: Bronwen Kar Cheung Chan, Masayo Ishigure, Joshua Mailman, Mayumi Miura,  Hitomi Nakamura, Thomas Piercy, Takeshi Sasamoto, James Nyoraku Schlefer, Sean Statser, Columbia Gagaku Instrumental Ensemble of New York

Film Screening: Black Power Mixtape: 1967-1975 (4/2 8pm)

Event Start: 
Thursday, April 2, 2015 - 8:00pm
Location: 
701C Dodge Hall (Center for Ethnomusicology), Columbia Morningside Campus
The Center for Ethnomusicology's 2015 Ethnographic Film Series invite you to a screening of:

Black Power Mixtape: 1967-1975


Thursday, April 2,  8 PM
701C Dodge Hall.
Refreshments to be served.
Free and open to the public!

About the Film: During the rise of The Black Power Movement in the 60s and 70s, Swedish Television journalists documented the unfolding cultural revolution for their audience back home, having been granted unprecedented access to prominent leaders such as Angela Davis, the SNCC's Stokely Carmichael, and Black Panthers founders Huey P. Newton and Bobby Seale.  Now, after more than 30 years in storage, this never-before-seen footage spanning nearly a decade of Black Power is finally available. Director Goran Hugo Olsson presents this mixtape, highlighting the key figures and events in the movement, as seen in a light completely different than the narrative of the American media at the time.  Talib Kweli, Erykah Badu, Abiodun Oyewole, John Forte, and Robin Kelley are among the many important voices providing narration and commentary, adding modern perspective to this essential time capsule of African-American history.





















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Prof. David Novak: "Music, protest,and the politics of festival in Japan's nuclear village" (March 23, Noon)

Event Start: 
Monday, March 23, 2015 - 12:00pm
Location: 
701C Dodge Hall (Center for Ethnomusicology)

The Center for Ethnomusicology Graduate Colloquium Series Presents: 

Prof.  David Novak
(University of California at Santa Barbara, & Columbia Ethnomusicology PhD Alumnus)

"Music, protest,and the politics of festival in Japan's nuclear village" 

Monday March 23, 2015
12:00 Noon

701C Dodge Hall (Center for Ethnousicology)
Free and Open to the Public

__________________________________

David Novak is Associate Professor of Music and Co-Director of the Center for the Interdisciplinary Study of Music at the University of California, Santa Barbara.  He is the author of Japanoise: Music at the Edge of Ciruclation (Duke Univ. Press, 2013).  He holds the PhD in Ethnomusicology from Columbia University.  His work explores cultural and political formations through the ethnography of popular music, and examines how the circulation of global media becomes central to processes of social and epistemological transformation. His interests include globalization of popular music, remediation, protest culture, and social practices of listening. His current project focuses on the politics of sound in urban Japan, particularly in the impact of noise regulations on homeless and migrant labor communities in South Osaka, and on the role of music, sound, and noise in the antinuclear movement in post-3.11 Japan.            

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Film Screening: Wild Style: Early Hip-Hop in New York (3/12, 8PM, FREE!)

Event Start: 
Thursday, March 12, 2015 - 8:00pm
Location: 
701C Dodge Hall (The Center for Ethnomusicology, Columbia Morningside Campus @ 116th St.)

The Center for Ethnomusicology Presents . . . 

WILD STYLE: Early Hip-Hop in New York

The inagaugural presentation in the Center's Ethnographic Film Series.

Thursday, March 12
8PM
701C Dodge Hall
(Center for Ethnomusicology, Columbia Morningside Campus, Broadway and 116th St.)

FREE AND OPEN TO THE PUBLIC!

Refreshments to be served.

"Concert Spirituals and the Black Soprano": Recital and Panel Discussion (4/22, 7pm)

Event Start: 
Wednesday, April 22, 2015 - 7:00pm
Location: 
Columbia University St. Paul's Chapel: 1160 Amsterdam Avenue

"CONCERT SPRITUALS AND THE BLACK SOPRANO" (A RECITAL AND PANEL DISCUSSION)

Wednesday, April 22, 2015
(Concert at 7pm; Panel Discussion at 8pm)

Location:  Columbia University St. Paul's Chapel, 1160 Amsterdam Avenue
Free and Open to the Public!

PARTICIPANTS INCLUDE:

This event is jointly sponsored by:

Music Performance Program
Columbia University Department of Music
Louis Armstrong Jazz Performance Program
Center of Ethnomusicology
Institute of Research in African-American Studies
Institute for Religion, Culture and Public Life
Office of the Core Curriculum



Barnard/Columbia Blues Symposium - Feb. 13-14 (free, but registration and tickets required!)

Event Start: 
Friday, February 13, 2015 - 9:00am - Saturday, February 14, 2015 - 11:00pm
Location: 
Event Oval, Diana Center, Barnard College (Enter at 117th/Broadway, accessible by 1 Train to 116th St.)

The Barnard College and Columbia University Blues Symposium will be a 2-day series of panel discussions and presentations engaging with the musical origins and cultural importance of the greatest American art form: the Blues. The Symposium has been organized by a group of Barnard and Columbia students. 

An incredible group of scholars, musicians, and writers will present on topics like the 12-bar blues, the collection of blues 78 rpm records, the 1969 Ann Arbor Blues Festival, and blues empress Bessie Smith. Panelists include Columbia's own Professor Farah Jasmine Griffin and Professor Bob O'Meally, Yale's Professor Daphne Brooks, as well as "Do Not Sell At Any Price" author and Pitchfork contributing writer Amanda Petrusich, and the Alan Lomax Archive's chief curator Nathan Salsburg.

For the full program, please click here. [6MB PDF file]

The event is free, but ticketed, and scheduled for February 13th and 14th of 2015, in the Event Oval of the Diana Center on Barnard's campus in Morningside Heights.  

To register and obtain tickets for specific programs and events please visit the following link (opens in new window). 
 

For further information, please write to:  bluessymposium@gmail.com.

TONIGHT! Prof. Elizabeth Povinelli - "The Otherwise in Geontological Power" (March 5, 6pm)

Event Start: 
Thursday, March 5, 2015 - 6:00pm
Location: 
701C Dodge Hall (Center for Ethnomusicology
The Center for Ethnomusicology presents a talk by
PROF. ELIZABETH POVINELLI
(Anthropology and Gender Studies, Columbia University)
"The Otherwise in Geontological Power"
Thursday, March 5, 2015
6PM
701C Dodge Hall
(Center for Ethnomusicology)
FREE AND OPEN TO THE PUBLIC!

Elizabeth Povinelli is Professor of Anthropology and Gender Studies at COlumbia University.  Her writing has focused on developing a critical theory of late liberalism that would support an anthropology of the otherwise. Her first two books examine the governance of the otherwise in late liberal settler colonies from the perspective of the politics of recognition. Her most recent two books examined the same from the perspective of intimacy, embodiment, and narrative form. Prof. Povinelli's ethnographic analysis is animated by a critical engagement with the traditions of American pragmatism and continental immanent theory.

Click here for a full-sized poster (PDF)

CU Ethno Alum Prof. Adriana Helbig Publishes "Hip Hop Ukraine"

Prof. Adriana Helbig

Prof. Adriana Helbig

The Center for Ethnomusicology congratulates Adriana N. HelbigAssociate Professor of Music at The University of Pittsburgh, and a 2005 alumna of the Columbia Ethnomusicology PhD program, on the publication of her book Hip Hop Ukraine: Music, Race, and African Migration (2014, Indiana University Press). 


Hip Hop Ukraine
Book Description:
 In Hip Hop Ukraine, Prof. Helbig enters a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change."


Biography: Prof. Adriana Helbig is Associate Professor of Music and an affiliated faculty member in Cultural Studies, Women's Studies, Global Studies, and the Center for Russian and East European Studies at the University of Pittsburgh. She teaches courses on global hip-hop, world music, music, gender, and sexuality, music and technology, and cultural policy. She is also founder and director of the Carpathian Music Ensemble, a student performance group that specializes in the music of Eastern Europe, including Jewish klezmer and Gypsy music. Her research has been funded through grants and research fellowships from the National Endowment for the Humanities, American Councils for International Education, IREX, and Fulbright. She has held a research fellowship at the Kennan Institute for Advanced Russian Studies at the Woodrow Wilson International Center for Scholars in Washington DC and was an inaugural research fellow at the Humanities Center at the University of Pittsburgh. Her articles on Romani (Gypsy) music, postsocialist cultural policy, music and piracy, music, race, and migration, and global hip-hop have appeared in edited collections and journals such as The Yearbook for Traditional Music, Current Musicology, and Popular Music. She is the coauthor, with Oksana Buranbaeva and Vanja Mladineo, of The Culture and Customs of Ukraine (Greenwood Press, 2009). 

Prof. Helbig completed her Columbia PhD in Ethnomusicology in 2005, with a dissertation entitled "Play for Me, Old Gypsy”: Music as Political Resource in the Romani Rights Movement in Ukraine, advised by Prof. Ana Maria Ochoa.

Prof. Helbig's Personal Website

Prof. Helbig's Faculty Page at the University of Pittsburgh.

Order Hip Hop Ukraine on Amazon.com

Other ordering options available through The University of Indiana Press.