We warmly congratulate Dr. Marceline Saibou, who successfully defended her PhD dissertation on popular music in Togo on Friday, May 13, 2016. Dr. Saibou's dissertation was sponsored by Prof. Aaron Fox, and her committee included Profs. Alessandra Ciucci and George Lewis (Music, Columbia), and distinguished Columbia ethnomusicology alumni Prof. Ryan Skinner (Music and African Studies, OSU) and Prof. Andrew Eisenberg (Music, NYU Abu Dhabi).
Congratulations Dr. Saibou!
Photo from left to right: G. Lewis, A. Ciucci, M. Saibou, A. Fox
We warmly congratulate Dr. Sara Snyder, who successfully defended her dissertation on Cherokee language translational poetics and early childhood immersion education on Friday, May 6, 2016. Her dissertation was sponsored by Prof. Aaron Fox, and her committee included Profs. Bambi Schieffelin (Anthropology, NYU), David Samuels (Music, NYU), Ana Maria Ochoa (Music, Columbia), and CU ethno alumna Prof. Amanda Minks (Anthropology, Oklahoma).
Dr. Snyder has also recently been appointed as a visiting assistant professor of anthropology and sociology at Western Carolina University in 2016-17.
Congratulations Dr. Sara Snyder!
Photo, left to right: D. Samuels, B. Schieffelin, S. Snyder, A. Ochoa, and A. Fox
You are warmly invited to attend a presentation of senior thesis projects completed by graduating Barnard College Music/Ethnomusicology majors Esther Adams, Anna Koeck Ehrman, Jenny Payne, Gen Ambrose, and Delaney Ross.
Featuring five 20-minute oral presentations, the event will occur on
THURSDAY MAY 12
4:15 to 6:15PM
701C Dodge Hall, The Center for Ethnomusicology
Reception to Follow
We are very proud of our thesis-writing students and encourage you to come and hear about their diverse and fascinating research projects.
The presentations will be in the order below; if you are unable to attend the entire event you are welcome to drop in and out.
4:15-4:35PM Esther Adams — "A Naïve Mélange:" Examining Racialized Properties of Sound in Harry Lawrence Freeman’s "Jazz Opera” Voodoo
4:40-5:00PM Anna Koeck Ehrman — The Colonial Legacy of the Ethnomusicological Archive: An Exploration of ILAM’s African Music Repatriation Project
5:05-5:25PM Jenny Payne — Now Let's Get in Formation: the Personal and Political of "Beyoncé feminism"
5:30-5:50PM Genevieve Ambrose — Wizard Rock Heartthrobs: Power, Gender and Economics in Harry Potter Musical Fandom
5:55-6:15PM Delaney Ross — Our Hawai'i: Environmental Protest Music on the Big Island of Hawai’i
For information contact Prof Fox, firstname.lastname@example.org
The Center for Ethnomusicology congratulates PhD student Adam Kielman, who has been awarded the Julie How Fellowship by the Weatherhead East Asian Institute. The award provides support for a year of dissertation write-up to a student in history or the social sciences with a research focus on China.
Mr. Kielman, who is also an alumnus of Columbia College (EALAC major, LAJPP performer) is completing a dissertation on local popular music and politics in China under the sponsorship of Prof. Ana Maria Ochoa.
The Center for Ethnomusicology warmly congratulates 2013 PhD program alumnus Dr. Timothy Mangin,
who has just been appointed as a tenure track Assistant Professor of Music at Boston College.
Timothy Mangin is an ethnomusicologist and musician researching the intersection of popular music, race, ethnicity, religion, and cosmopolitanism in West Africa and the African Diaspora. He received his doctorate from Columbia University in 2013 and received fellowships from the Columbia University’s Center for Comparative Literature and Society, St. Lawrence University’s Department of Music, Mellon Foundation, the Foreign Language Areas Studies Program and a Fulbright-Hays Doctoral Research Abroad Program. He taught at Columbia University, New York University, St. Lawrence University, and the City University of New York. An improvisational flutist, Tim founded St. Lawrence University’s Jazz and Improv Ensemble and also studies mbira and is a member of Capoeira Brasil. His writings have appeared in the edited volumes Begegnungen: The World Meets Jazz and Uptown Conversations: The New Jazz Studies as well as reviews in The Yearbook for Traditional Music and Ethnomusicology On-Line. Tim is working on a book examining indigenous cosmopolitanism through the intersection of the Senegalese urban dance music called mbalax and the practice of black, Wolof (the dominant ethnic group), gendered, and Muslim identities. He is also exploring blackness in Senegalese hip hop and the dynamics of improvisation in New York City’s underground hip hop and jazz scene. The Digital Humanities is a key part of Tim’s pedagogy and research that began when he worked at Columbia’s Institute for Research in African American Studies on the Malcolm X Project, under the direction Manning Marable, and further developed with students at The City College of New York.
Dr. Mangin's Columbia PhD dissertation, on Senegalese mbalax, was advised by Prof. George Lewis.
Thursday, April 28, 2016 - 5:00pm
701C Dodge Hall (The Center for Ethnomusioclogy)
The Spring 2016 Ethnomusicology Colloquium Series Presents:
Cashinahua Song-Images: Reflections on an Amerindan Relational Aesthetics
(Associate Professor at the Federal University of Rio de Janeiro (UFRJ) Graduate Program in Sociology and Anthropology, CNPq (National Council for Scientific and Technological Development) Researcher Coordinator of NAIPE –Center of Amerindian Studies)
April 28, 2016 5:00 pm
701c Dodge Hall
Columbia University Center for Ethnomusicology
Free and Open to the Public
Columbia University Morningside Campus
The Center for Ethnomusicology warmly congratulates PhD alumna Dr. Lauren Flood, who has been appointed as a Mellon Postdoctoral Fellow in the Humanities at the Massachusetts Institute of Technology.
Lauren Flood earned the Ph.D. in Ethnomusicology from Columbia in 2015. She researches sound technologies and experimental instrument building practices in the contexts of the do-it-yourself ethos, maker culture, and popular and experimental music scenes. She held a Whiting Fellowship for her dissertation, “Building and Becoming: DIY Music Technology in New York and Berlin,” with fieldwork supported by the Berlin Program for Advanced German and European Studies and the National Science Foundation. Lauren’s work is situated at the nexus of music, anthropology, sound studies, and science and technology studies. She engages with dialogs on critical organology, creativity and knowledge production, histories and aesthetics of sound and recording practices, vernacular technologies and everydayness, ethics and labor in the music industry, alternative methods in science and technology education, and the contemporary sense of self as mediated through the arts.
At Columbia, she has been a teaching fellow in Music Humanities and Asian Music Humanities, the graduate assistant for the Center for Ethnomusicology, an editorial board member and reviews editor for Current Musicology, and on the organizing committee of the Columbia Music Scholarship Conference. She has presented her work at annual meetings of the Society for Ethnomusicology, the American Anthropological Association, the Society for the Social Studies of Science, and the EMP Pop Conference.
Prior to her graduate studies, Lauren completed her undergraduate degree at Drexel University, with a major in music industry and a minor in anthropology. While living in Philadelphia, she studied and performed as a guitarist, worked in copyrights and licensing, and assisted with research at the University of Pennsylvania Museum of Archaeology and Anthropology. She also completed field schools in Latin American ethnomusicology and archaeology, maintaining a long-standing interest in Mesoamerica and the modern Mayan region.
Dr. Flood's Columbia PhD dissertation was advised by Prof. Ana Maria Ochoa.
Friday, November 13, 2015 - 4:00pm
701C Dodge Hall, Center for Ethnomusicology
The Center for Ethnomusicology presents a talk by:
Prof. Louise Meintjes
(Departments of Anthropology and Music, Duke University)
Date: Friday, November 13, 2015
Location: 701C Dodge Hall, Center for Ethnomusicology. (Columbia University Morningside Campus at 116th St.
Free and open to the public; reception to follow talk.
Louise Meintjes is Associate Professor of Music and Cultural Anthropology at Duke University and author of Sound of Africa! Making Music Zulu in a South African Studio (Duke UP 2003). Her new book, Dust of the Zulu: Ngoma Aesthetics after Apartheid, is forthcoming on Duke University Press in 2016.
Thursday, November 12, 2015 - 4:00pm
701C Dodge Hall -- The Center for Ethnomusicology (Columbia University Morningside Campus)
The Center for Ethnomusicology presents a talk by:
Prof. Alex E. Chavez
Assistant Professor of Anthropology
University of Notre Dame
"Sounds of a Precarious Present, or Post-Mexico in the Offing . . ."
Date: Thursday, November 12 2015
Time: 4:00PM-6:00PM (reception to follow)
Location: 701C Dodge Hall - The Center for Ethnomusicology (Columbia U. Morningside Campus, at 116th St.)
Free and Open to the Public, No RSVP Required
For further information write to: email@example.com
Abstract: In the post-NAFTA era of intensified transnational migration, state and narco violence carried out with impunity, and calls for indigenous autonomy across Mexico, the growing perception of a waning Mexican state has taken hold in both the local and the global imagination. Dr. Chávez’s talk considers this tensive reality and attends to a grassroots politics of culture with specific focus on the New Years Eve ritual huapango arribeño performance in the highlands of northeastern Guanajuato. There, two ensembles engage in both poetic dueling and musical flyting in the town of Xichú from dusk until dawn while thousands of spectators ring in the New Year. The ensuing music and poetics that fluoresce, it is argued, animate affective desires of connection and recognition that gesture toward a post-national imagination. In pursuit of this claim, the expressive grammar of huapango arribeño is considered alongside conventional scriptings of Mexican cultural nationalism—which have inscribed huapango as one musical trope of Mexicanidad—and officialized state discourses voiced recently in the face of widespread social unrest across Mexico.
Alex E. Chávez earned his Ph.D. in anthropology from the University of Texas at Austin with a concentration in folklore and public culture and also holds doctoral portfolios in both Mexican American Studies and Cultural Studies. Before joining the department, he was a post-doctoral fellow in the Institute for Latino Studies at the University of Notre Dame and at the University of Illinois at Urbana-Champaign where he served as both a Chancellor’s Postdoctoral Research Associate in the Department of Latina/Latino Studies and a Research Associate in the Department of Anthropology. From 2012-2014 he taught in the Latin American and Latino Studies Program at the University of Illinois at Chicago as a Visiting Assistant Professor. Centered around the US-Mexico Borderlands and Latinas/os in the United States, Chavez’s research and teaching interests explore the innermost workings of transnational migration, embodiment, place-making, and everyday life as manifest in political economies of performance with particular emphasis on music and language. His forthcoming book is entitled ¡Huapango!: Mexican Music, Bordered Lives, and the Sounds of Crossing (Duke University Press). In collaboration with Daniel Sheehy—Director and Curator of Smithsonian Folkways Recordings—he is currently lead consultant for a Folkways recording of huapango arribeño for inclusion in the world-renowned Tradiciones music series, lending an anthropological perspective on this music to a broader audience. In a similar capacity, he also serves as co-contributing editor of the Association of Latina and Latino Anthropologists column in Anthropology News, helping anthropological research focused on U.S. Latinas/o communities reach a wider public. He has published in the Latin American Music Review, Journal of Linguistic Anthropology, Southern Cultures, Música Oral del Sur, and has contributed to Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions (2012), Iconic Mexico (2015), Latino, American, Dream (forthcoming, Texas A&M Press), in addition to Con La Música a Otra Parte: Migración e Identidad en La Lírica Queretana (2010) published with the support of the Fondo Nacional para la Cultura y Las Artes in Mexico.
Alex Chavez Curriculum Vitae
Monday, October 26, 2015 - 4:00pm
701C Dodge Hall (Center for Ethnomusicology)
The Center for Ethnomusicology Colloquium Series Presents:
Prof. Carlos Sandroni
(Ethnomusicology, Federal University of Pernambuco [Recife], Brazil)
"Mário de Andrade (1893-1945) and the music of Northeastern Brazil"
Monday Oct. 26, 2015
701C Dodge Hall (The Center for Ethnomusicology)
Free and Open to the Public
Carlos Sandroni was born in Rio de Janeiro in 1958. He studied Sociology and Political Sciences in the university of Rio, and guitar in private lessons. He did a doctorate in Musicology in France, at the Université de Tours. His dissertation (finished in 1997) was in the early history of samba, and it was published in Rio in 2001. The early history of Brazilian popular music (roughly, 1880-1940) remains a field of interest.
Sandroni came back to Brazil in 1997 and since then has taught Ethnomusicology at the Federal University of Pernambuco (Recife). The Brazilian Ethnomusicology Association was founded in 2001 and Sandroni was its first president (2001-2004). In 2004, the Brazilian Ministry of Culture hired him to work on the Brazilian nomination for the Intangible Cultural Heritage list of Unesco, samba-de-roda from Bahia. The nomination was accepted by Unesco. Since then he has developed a second important field of research: the impact of the public policies related to Intangible Cultural Heritage on popular musicians and dancers from Northeastern Brazil.
In 2007,Sandroni was a Tinker Visiting Professor at the University of Texas at Austin. In 2008, he was an Associate Researcher at the Center for Ethnomusicology Research in Paris.
Sandroni published an earlier book, on the Brazilian writer-musicologist Mário de Andrade and his work on public culture (São Paulo, 1988). He also co-edited two other volumes with colleagues: one about the samba de roda from Bahia (Brasília, 2007), and another about the public policies on intangible heritage (Recife, 2014).
He has published two collections of field recordings. One is a double CD on traditional music from Pernambuco and the neighbor state of Paraíba (Recife, 2005), and the other is a single CD on samba de roda music (Salvador, 2006).
As a singer, guitarist, and songwriter, Sandroni published in 2014 the CD "Sem regresso."
His current projects are a collection of articles on the history of Brazilian popular music, and a book on the Intangible Heritage Policies in Brazil.