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Alumni of the Columbia Ethnomusicology Program

Amanda Minks To Teach at U of Oklahoma

September 6, 2006 by EthnoAdmin

Columbia ethnomusicology PhD Amanda Minks (PhD 2005) is now teaching anthropology in the Honors College of the University of Oklahoma. Congratulations to Dr. Minks!

Congratulation to our New PhD - Lauren Ninoshvili

April 15, 2010 by jmukai

We congratulate her on the successful defense of her superb dissertation on April 14.

Congratulations to Anna Stirr, PhD!

September 20, 2009 by AaronFox

Congratulations to Anna Stirr, who successfully defended her dissertation on Nepali dohori music on September 10.  Dr. Stirr is now headed for Oxford University, where she will hold a postdoctoral fellowship at St. John's College.

Congratulations to Dr. Elizabeth Keenan!

September 15, 2008 by AaronFox

We offer warm congratulations to Elizabeth Keenan, who defended her doctoral dissertation entitled Acting Like a Lady: Third Wave Feminism, Popular Music, and the White Middle Class, on Monday, Sept. 15, 2008.  

Congratulations to Dr. Maurea Landies!

December 10, 2008 by EthnoAdmin

We offer our congratulations to Dr. Maurea Landies, who successfully defended her doctoral disseratation on Haitian/Dominican Gaga/Rara music on Wednesday, Dec. 10, 2008.  Her dissertation was sponsored by Prof. Chris Washburne.

Corte-Real, Maria

July 17, 2006 by EthnoAdmin

saojose@eselx.ipl.pt

PhD Columbia University, 2000

"Cultural policy and musical expression in Lisbon in the transition from dictatorship to democracy (1960s--1980s)"

David Novak publishes papers in Cultural Anthropology and Asian Music

April 5, 2010 by jmukai

Congratulation to David Novak for publishing “Cosmopolitanism, Remediation and the Ghost World of Bollywood,” in Cultural Anthropology 25(1):40-72; supplemental material is available at the CA website (http://www.culanth.org/?q=node/298) and “Playing Off Site: The Untranslation of Onkyo,” in Asian Music 41(1):36-59.

De Carvalho, João Soeiro

October 2, 2008 by JoaoSoeiroDeCarvalho

PhD, Columbia University, 1997

“Choral Musics in Maputo, Mozambique: Urban Adaptation, Nation Building and the Performance of Identity.” Currently teaching at Universidade Nova de Lisboa.

Eisenberg, Andrew

July 25, 2008 by aeisenberg

(B.M. from NYU in jazz performance) is currently conducting research for a dissertation on music (taarab, ngoma, and hip hop), acoustemology and ethnic identity politics in Mombasa, Kenya. The research is being supported by Fulbright-Hays and the Social Science Research Council, and is being conducted in consultation with the newly-formed Institute of Swahili Studies within the National Museums of Kenya.
Website: http://www.andreweisenberg.com
Email: aje11@columbia.edu

Elizabeth K. Keenan Wins 2007 Lise Waxer Prize from the Society for Ethnomusicology

November 1, 2007 by EthnoAdmin

Congratulations are in order for Elizabeth K. Keenan, who won the 2007 Lise Waxer Prize for the best student paper on popular music for her paper given at the 2006 SEM conference in Hawai'i, "Straightyfest, Ladyquest, Ladyfest: Femininity, Sexuality, and Third Wave Feminism at Young Women's Rock Music Festivals." The Lise Waxer Prize is sponsored by the Popular Music Section of SEM.

Ms. Keenan is completing her dissertation, "Acting Like a Lady: Popular Music, Third Wave Feminism, and the Middle Class," which addresses the impact of popular culture on feminism—and feminism on popular culture—within the United States through an ethnographic study of young, white, middle-class women’s involvement with a series of grassroots, feminist punk rock music festivals called “Ladyfest.” This work addresses many of the issues that affect both popular music and feminism in the United States, such as the performance of gender and sexuality; generational rebellion; relationships between consumer culture and femininity; and the interaction between race, class, and gender in the production of musical communities.

Fikentscher, Kai

July 17, 2006 by EthnoAdmin

kfikents@ramapo.edu

PhD, Columbia University, 1996

"'You better work!': Music, Dance, and Marginality in Underground Dance Clubs of New York City"

Gay, Leslie

July 17, 2006 by EthnoAdmin

lesgay@utk.edu

PhD Columbia University, 1991

“Commitment, cohesion, and creative process: A study of New York City rock bands”

Hampton, Barbara

July 17, 2006 by EthnoAdmin

hcethnomus@aol.com

PhD Columbia University, 1977

“The Impact of Labor Migration on Music in Urban Ghana: The Case of Kpehe Gome”

Helbig, Adriana

July 25, 2008 by ahelbig

Adriana Helbig (BA in German and Music with honors from Drew University in 1997; MA and MPhil in Ethnomusicology from Columbia) has completed and defended (May 2005) her dissertation, which analyzes the influences of international development aid on Roma music traditions in Ukraine. Her research interests include the relationship between music and politics, music and social movements, music and migration, and issues of race, class, and gender in Eastern European hip hop. She works with Roma non-government organizations in Ukraine, translates the largest Internet-based Roma newspaper in the CIS into English (www.romaniyag.uz.ua/en), and consults members of the Ukrainian government on national minority affairs. In 2006, she participated as a policy analyst in the Civil Society and Democracy in Ukraine project sponsored by the Kennan Institute for Advanced Russian Studies in Washington D.C. Her published works in English include an article titled “The Cyberpolitics of Music in Ukraine’s 2004 Orange Revolution” Current Musicology 82; a book chapter titled “Changing Discourses of Race and Place: NGOs, European Integration, and the Roma in Ukraine” In Civil Society and Democracy in Ukraine. Edited by Paul D’Anieri, Dominique Arel, and Blair Ruble. (Baltimore: John Hopkins University Press, forth.); and a book review of The World of Mykola Lysenko: Ethnic Identity, Music, and Politics in Nineteenth and Early Twentieth Century Ukraine. By Taras Filenko and Tamara Bulat. (Toronto: Ukraine Millennium Foundation Press, 2001). World of Music Vol. 48 (1): 100-102. Her article “Ukraine: Performing Politics” published in Transitions Online No. 156 (February 27, 2006) was reprinted in Italian, Hungarian, and Russian translation on various policy websites and list-services. A member of SEM and ICTM, she is also affiliated with the Ukrainian Studies Program at Columbia University and will teach a course on post-socialist music traditions in the Spring of 2007. A classical pianist who received her training at the Vienna Conservatory, she has taught the Music Humanities course at Columbia University and presently teaches Music History at Fordham University. Her doctoral research in Ukraine was sponsored by a Fulbright U.S. Student grant.
Email: anh5@columbia.edu

Click here to download Adriana’s dissertation titled “Play for me, Old Gypsy: Music as Political Resource in the Roma Rights Movement in Ukraine”

 

Jackson, Travis

July 17, 2006 by EthnoAdmin

travieso@uchicago.edu

PhD, Columbia University, 1998

“Performance and Musical Meaning: Analyzing 'Jazz' on the New York Scene"

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